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[personal profile] la_fields
The Dropout, The Worker
Since I quit that PhD program at UT Dallas (and I still spit on the memory of it quite bitterly), I've been hard at work. First up were the on-the-ground concerns of sudden, full-time working life:

- It took 4 hours of public transit each day to commute to my new job. That lasted for eight months until my lease was up and I had the cash on hand to move to the other side of the city (where I now happily commute about ten minutes a day, on a bike with a basket).
- During those eight months, I was ghostwriting over $3,500 of smut (at one cent per word) to help pay off my remaining student loan debts, start a retirement account, and fund my move. I'm still trying to get the 2016 max into my retirement account before tax day, but I can do the last of it on my salary alone.
- After moving to a better location (that's being built up even as I sit here, with a corner gas station about to open), I asked for a raise based on the copywriting I do at work, and I received one. I'm also getting a bonus for over 15 hours of transcription work I did last year--during which time, remember, I was also ghostwriting a novel a month. There were a couple of tendinitis flare-ups, but every bit of this work has been worthier of my time than teaching at UTD’s grad program, because it compensates me enough to let me provide for my financial future, rewards me for doing extra work, and continues to provide me with health insurance.

The Worker, The Learner
That's all good, but I must miss learning, right? Hmm. When I ask people why they don't balk at the treatment they receive from grad programs like mine, they pretty defensively insist that they love learning, so much, and maybe they care more about learning than money, unlike me. Oh, please; let's examine that:

- That 4 hours a day on the bus (cut down to 2 hours after I got enough money to take Lyfts in the morning, so I could sleep a normal human amount of hours) meant I had a lot of trapped time on my hands. Right around then, my publisher asked me if I was willing to do an annotation of America's first gay novel, Joseph and His Friend (1870), and I said yes. The artistic life has the same rules as improv: the only correct response is, "Yes, and..."
- So I spent that time on the bus reading the letters of Bayard Taylor, Fitz-Greene Halleck, and Walt Whitman, among others; their biographies, their associations, and their works, discovering all the stories behind the story that is America's first gay novel.
- Then last week I took some vacation time and spent 9 days in my apartment sorting, citing, and compiling the connections. The structure of the project is basically little strings of history, personal anecdote, and secret curiosities to go along with each chapter of the book itself (the manuscript of which I had to clean up line by line to match the original). We’re looking for some gayish American pastoral cover art now.

The Learner, The Lover
Out of this annotation research, the big winner was Walt Whitman. He was the best guy. I read his poetry as an undergraduate and still don't particularly like it--not that it isn't good, it's just not at all to my taste; I'm more for post-modernism, or at least structure and brevity, I still like rhymes, can't seem to cure that, etc. I like Whitman's phrases though ("I am large, I contain multitudes" or "dash me with amorous wet, I can repay you") and I love his intentions and meanings, so basically I love him, the man, way more than his work (though the two are completely intertwined, I get that). His thoughts and asides, his boys, his volunteer work in Civil War hospitals for the wounded (which he was criticized for because it was "unmanly" to nurse if he was healthy enough to fight, according to some). I'm so glad I had a real reason to find out about him.

I know more about American history now, the Civil War, the presidents of the time (Lincoln was a sweetheart too) than I ever picked up in a school. I can assure you that if I had stayed in that PhD program, I never would have had time to do a project as large as this. "Uh, but isn't that what a dissertation is?" Shut your educated-fool mouth: poverty trumps study. If you don't have enough money for food, housing, or health care, you don't have enough time to think about anything else. If a professor tells you otherwise, it's because they need you to stay stupid and studying what will not actually help your circumstances, because their tenure is funded by your underpaid labor or your overpriced tuition. That's true, the advisors at UT Dallas know it is true, they are either too powerless or too unconcerned to change it, and I won't contribute to an evil machine if I can help it. One of my brief cohort-mates from the PhD program quit the teaching part of it (because “I am worth more than poverty-level wages and participation in this institutional nonsense"), got two part-time jobs, but... still pays to attend graduate classes? She says she couldn't be happier. Yes, she could be! Like if she went to a better school! She's barely above an anti-union scab in my eyes, but if she thinks she's happy propping up the place that pays her fellows so horribly, I still don't see how I'm the one who's wrong (because I'm not).

I love learning, I'll work very hard for very little money (my publisher offered me $250 plus royalties for the annotation, and it's taken more than a year of work), but for a school to give me a stipend below the poverty line, forbid outside work, and offer no health care or summer assistance, that is so outrageous you could call it abuse. To take copious amounts of money from students domestic and foreign and provide them with inexperienced TAs as their only instructors in mandatory courses (with almost no guidance and certainly no real consequence for inadequacy) is disgusting, and a failure of a school. My friend who completed a PhD at UT Austin was quick to point out that all the all the information I got out of the Walt Whitman Archive is associated with UT Austin, so I can't be too mad at the University overall (haha, yes I can!), but she also made twice what I was paid for doing considerably less grunt work than they demand from grad students at UT Dallas. She never would have put up with such treatment herself.

The Poetry of it All
I did find some bits of poetry I liked (outside of Whitman's phrases) while reading for this project. This excerpt from Wordsworth leads off "On the Death of Joseph Rodman Drake" by Fitz-Greene Halleck, the inspiration of Joseph and His Friend:

“The good die first,
And they whose hearts are dry as summer dust,
Burn to the socket.”
- Wordsworth.

Whoa, yeah? And this excerpt of Byron, that leads off another gay novel of the time (discussed before on my LiveJournal), which I brought up in the annotation to make sure women aren’t left out of the conversation for a book where a wife is everyone’s worst problem. At the top of A Marriage Below Zero:

"I seek no sympathies, nor need;
The thorns which I have reaped are of the tree
I planted,—they have torn me.—and I bleed:
I should have known what fruit would spring from such a seed."
- Byron.

You see what I mean about rhymes? I’m a sucker for them.

The Artist
I went to a good school once, it was my original alma mater, the New College of Florida, and that's where I got all my research skills (I even got to return to topics from my undergrad thesis with Joseph, just like a real dissertation--Oscar Wilde's name as a code word for homosexuality; Whitman's name worked the same way, and did it first). However, since then (including my MFA, the private after-school program where I taught in South Korea, and my PhD program entirely) it's been nothing but people going through the motions and putting in the minimums to get money from the students and then get out. My way out of that fiasco mentally was the fact that I consider myself an artist first before an academic, and I took my lessons from the examples of artists, poets in fact (though I'm a prose-writer almost exclusively): A.E. Housman got kicked out of school for having a crisis on the day of his exams? No matter, he got a job and did scholarship out of school until they took him back anyway. T.S. Eliot got a job in a bank so that his literal fortunes would stay stable enough to stay out of the way of his real work. Walt Whitman held a university education against men, this is from Intimate with Walt: Selections of Whitman's Conversations With Horace Traubel, edited by Gary Schmidgall:

When Traubel tells Whitman he worked for four years in a printer’s shop, Whitman naturally applauds, this being his own employment history: "Good! good! that’s better than so many years at the university: there is an indispensable something gathered from such an experience: it lasts out life. After all the best things escape, skip, the universities.”

I have escaped the universities! Sweet are the uses of adversity! universities! Same difference! From this project has already come another research book that I'll be doing with one of my MFA cohort-mates, the improv one ("yes, and," remember?), and from that project we have material for a recurring podcast segment that we'll record later this month, and from there who knows what else will come up? I have one last planned book to finished before I turn 30 (the final installment of my young adult Disorder Series, and I just turned 29, so the deadline is on), and after that I'm free to work as I please, go where I please, do what I please, because I've got a job that respects me, and money enough to enjoy my life. I can do work on the side that gives me artistic and academic purpose because I have the means for it. I even had the means to buy scans of an unpublished Charles Jackson manuscript out of the archives at Dartmouth, for nothing more than the pleasure of learning everything I can about him. I've got a lot more work to do, and while it's a tragedy that this kind of dedication and zeal for learning found no means of support in a PhD program, it's not my tragedy anymore, and that's still nice every day.

Date: 2017-03-11 10:28 pm (UTC)
From: [identity profile] girlingoldboots.livejournal.com
How does one become a smut ghost writer?

Date: 2017-03-11 10:30 pm (UTC)
From: [identity profile] la-fields.livejournal.com
Upwork. Go there, start an account, people are paying to have writers churn out sexy stories for all those fake Kindle names, I got two other friends involved in it making extra cash, it's one of the more amusing ways to scrounge for money.

Date: 2017-03-12 11:34 am (UTC)
From: [identity profile] girlingoldboots.livejournal.com
I thank you, and my bank account will thank you.

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